July 21, 2010
"In this ethnographic study of formal hall ritual in Oxbridge Colleges, the authors show how this special form of dining plays a key role in organizational cohesion, demarcation, and continuity. Formal hall serves as a central organizing principle of the colleges, having social, political, and pedagogic facets."

Sustaining the Ivory Tower: Oxbridge Formal Dining as Organizational Ritual — Journal of Management Inquiry (via nogoodreason)

July 14, 2010
from ‘Refusing Defeatism: Derrida, Decision and Absolute Risk’ by Nick Mansfield

How did we find the strength to go on? In the modern period, ‘‘the people’’, the collective subject and patient vehicle of progressive Enlightenment and historical meaning, became nothing but a pretext for murder, the Volk, the proletariat, the petty bourgeois settler clearing away peoples and cultures as so many obstacles to agriculture, carving out the requisite emptiness for a fantasy-autochthony. In the modern period, while ‘‘the people’’ awaited one humanistic apocalypse or another, aching for the promised final unity, purity or triumph, people themselves were mangled by bureaucratic genocides, brutalised by imperial police actions, photo-spectralised by nuclear experimentalism, shamed by the normativities of bio-power, and disappeared in the silence and night of one political terror apparatus or another, forced assimilations, forced migrations, forced industrialisation, emptied villages in Poland, in Kenya, in Chechnya, Bengal, Vietnam, Algeria, El Salvador, and East Timor, concentration camps, treacherous infiltrations, racial disenfranchisement, liberal complacency and error. In the twentieth century, when politics became art, art became madness, madness became pornography, pornography became murder, and murder became just entertainment, a delirium no subjectivity could make purposeful or more than rhetorically redemptive. Only love was redemptive by 1969. In the twentieth century, nature became simply the passive object of administration, pleasure was re-packaged as science, because science was the only language the newspapers accorded authority. It was the time of the eternal recurrence of the spiritless mind, the eternal poverty of the scandalous minority, the eternal sunshine of the exterminating angel, when the poet said: ‘‘Black milk of daybreak we drink you at sundown/We drink it at noon in the morning we drink it at night/We drink and we drink it/We dig a grave in the wind there one lies unconfined’’ (Celan 1990, 63). ‘‘Was I sleeping, while the others suffered?’’ (Beckett 1965, 90).

As a consequence, our time is a time of shameless defeatism, when we know everything we are told is misinformation, but this knowledge does not protect us, or inspire us to a future freedom, where things will be transparent. We know politicians lie, kill, cheat and dishonour us, but it is not clear what can be done about it, or whether in fact it is to be accepted with a frustrated resignation. We are not ignorant of what they do nor indifferent to it, but we are impelled to trust them by the apparent lack of any other option. This defeatism is not childlike nor naïve, not ignorant nor idealistic. It is wise, split between the wisdom of a cultivated lassitude where knowledge does not lead to the struggle with difficulty, nor to the dangerous decision, and an impatient, but directionless radicalism where the long awaited re-birth of progressive spirit seems further off every day, and the hope for change becomes simply invested in the imminence of first economic, then environmental, then terroristic, and now military catastrophe.

In the West, we pay our governments to do our murders for us, in the crisp hi-tech, neat, logistical, politic, rationalised, well-mannered and eminently reportable, statistical, Christian, way they have mastered these things, leaving the electorate untroubled by the cost on which its luxury depends and who gets to pay it. The legacy of the Reagan/Thatcher experiment: do not frighten the electorate with the spectre of the injustice, torment, dictatorship, starvation, epidemic, exploitation or genocide that it causes or benefits from. The electorate must be kept in a warm cocoon of moralistic platitudes, and homespun economic automaticity, where world-affairs are reduced to the business of an unthinking common sense, and the role of the media is merely to police stereotypes we can all hold in contempt: the cheating tradesman, the paedophile priest, the corrupt politician, the charlatan diet guru, thus creating a pathetic simulacrum of social consensus around injustices that never accumulate into a positive theory of the just itself. The point is Derrida never gave in, never conceded to the platitude, to the easy, reassuring orthodoxies of left or right, of humanism or subversion. No balking at risk, no refusal to recognise difficulty, no pragmatic concession that incommensurables, aporias, incompossibilities needed at some point to be truncated, by-passed, frustrated or overcome. No sense that thinking had a limit beyond which only authority or pragmatism should take us. For Derrida, there was no pragmatics without thought, except the pragmatics that would not admit what it thought. No pragmatics without metaphysics. The pragmatics that disavowed metaphysics simply confessed how bad, un-self-conscious and ill-considered its metaphysics actually was. There was no point for Derrida in a thought that did not think, that refused to think, the ‘‘humanity’’ that settled for rhetorical gestures, the politics satisfied by an educated resignation, nor, above all, did he ever concede to defeatism and its small wisdom.

SOCIAL SEMIOTICS VOLUME 16 NUMBER 3 (SEPTEMBER 2006)

So when will it start being okay for me to introduce my papers with pure unmitigated rage like this…?

Can’t wait!

July 4, 2010
Worldview Cities > Beirut

City Center Renewal’ in particular is interesting; funny how jargon can hide many a political reality (re Solidere, ‘Beirut Central District’, etc).

July 3, 2010

theguywhoinventedfire:

David Harvey’s RSA Lecture on the crisis of Capitalism in animated form

July 3, 2010
"As any attempt to communicate with the past through excavation, exegesis or hermeneutics is a form of confronting ghosts, it is not surprising that ‘haunting’ as a metaphor has such an extensive currency, particularly since the fictions of haunting suggest that the search for origins brings with it unexpected ramifications. The new technologies of information storage and retrieval and the increasing bandwidths of communication have created an accessible archive culture capable of constantly reconfiguring the past. New ways of recording and transmitting have always carried with them something of the magical and necrophilic. The incomprehensible complexity of new technologies has provoked assumptions about the possibility of ‘ghosts in the machine’ and of other forms of life hovering on the interface."

— Barry Curtis, Dark Places (via dissemination)

June 6, 2010
“c’est fini, tout ça…”
people-reading-books is a fantastically irritating cinematic device.

“c’est fini, tout ça…”

people-reading-books is a fantastically irritating cinematic device.

May 28, 2010
"Cast as unreliable and unruly, the human body in the age of technology is less and less the primary site/cite of military representational practices. The triad more is appropriately understood as such: the hardware has come to represent a whole range of advanced high-tech weapons; the software represents information and communication technologies; and the wetware represents the embodied human soldier, which significantly is the weakest link (see Der Derian 2003; Kundnani 2004; Harris 2003). Thus what constituted the cyborg in its earlier manifestations, as explored and detailed by Foucault, no longer fully captures the shifts motivated by the current fetishisation of advanced technology in the military. Alternatively, what we are witnessing, and indeed participating in, with the constitution of the cyborg soldier is a radical rearticulation of subjectivity. Contemporary military techno-scientific discourses have profoundly altered the subject of discursive power productions, with the fleshy body of the soldier no longer standing in as the agent of politics by other means, or in this case, war by other means. With the discursive positioning of military technologies as superior to the human soldier, machines are now the subjects of the text."

Cristina Masters, Cyborg soldiers and militarised masculinities /via wildcat2030

Auto reblog for that “site/cite” - I think I despair…

May 18, 2010
Slow Cinema vs Fast Films

“There’s an oppressive sense in which the long-take, long-shot, slow-camera-movement, sparse-dialogue style has become entirely routinized; it’s become a sort of default international style that signifies “serious art cinema” without having to display any sort of originality or insight. “Contemplative cinema” has become a cliche; it has outlived the time in which it was refreshing or inventive.”

May 10, 2010
Contemporary Problems in American Quotation Theory, with Suggestions Toward a Possible Future

via @IlllllllllllllI

May 7, 2010
Visual Turn: The Cult of Dullness

dissemination:

“It was as a candidate for the Ph.D. at Harvard that I first encountered the Cult of Dullness. Since boyhood I had aspired to be a writer. So with my first graduate research paper I tried to write as well as I could. My professor warned me gently that although he himself did not object to a well-written paper, his colleagues might be put off. They might suspect that I was not really committed to dull writing and thus not a suitable candidate for the Ph.D.

“I encountered the problem again when I sent my doctoral dissertation to a typist to have it type up for presentation to my readers, who would approve or disapprove it. The typist called shortly to express her concern. It did not read like a Ph.D. Was I sure it would be acceptable? What was the problem, I asked. Well, she was enjoying reading it, and that made her uneasy on my account. She was concerned that it might not be accepted. It was not as dull as she felt it ought to be.

May 5, 2010
@IlllllllllllllI on Zizek at the movies.

Zizek’s “ideology spotting” film critiques aren’t even clever anymore, it’s just the most bland “This thing you like is racist” garbage. And finding out The Hurt Locker is an evil fascist movie isn’t a revelation, it’s right there in the fucking movie. Zizek’s ostensible project, to kill our Big Other, is best accomplished when people fawn over how brilliant he is while he sucks a lot […] It’s probably tiresome to see someone always talking about how Zizek sucks, but it’s tiresome that he always sucks. […]

Instead of just asserting that Zizek sucks, I should be less cowardly and provide a concrete example: He routinely writes up these two or three paragraph discussions of some popular contemporary film, (recently Hurt Locker and Avater)…In them, he spends the first paragraph detailing the supposed reality of the film, ah wonderful aboriginals, ah soldiers with a heart, etc. In the second paragraph, he says no, that’s not right, it’s actually all racist and sexist and war-mad and super ideological. Which, of course, it is if you want to be like that about everything, but how boring and unuseful. It wasn’t interesting that Avatar was racist, it wasn’t interesting that Hurt Locker makes warriors into mushy fragile humans/victims. That’s the secondary content, of which Zizek is the tertiary, explaining how the small racisms / war-madnesses lead to our larger problem. But that’s only if ideology is experienced by audiences as ideology. It’s more interesting to ask about the non-racist content……and why a war-mad country might want to sit and see aboriginal people rise up and kill the metaphor of themselves. But even that’s not the useful stuff, because it would just trend back toward psychologism and easy bullshit about everyone’s “fascism”. The relevant ideology in Avatar was the same as in The Box, the reintegration of a lost technological people into techno-nature.

Anyway, Zizek takes the boring cultural studies moralist approach and never finds something interesting in the shit. After 2 paragraphs on this Hollywood movie, he namedrops some more-or-less obscure counter example(s) to “prove” his point. He wraps it up with something about the greatest, purest, most existing version of a type of ideology or ideological function……and closes it down with a repetition of the same banalities he wrote in the second paragraph. It’s just so unbelievably lazy.

Why not, if you’re actually interested, start with “Lebanon” or “Waltz with Bashir” and then merely comment on “Hurt Locker”? Why use another boring communist reference to link-bait your stunning four paragraph critique of the movie everyone has heard of? It’s so pointlessly /Zizekian/, a cheap shock, a handy knowledge of abstracted structural features & predictable center-left politics.

May 2, 2010
"These doubts within the humanities became the fertile seedbed for self-destructive tendencies. Informed by Heideggerian theories that placed primacy on the liberation of the will, first poststructuralism and then postmodernism took root. These and other approaches, while apparently hostile to the rationalist claims of the sciences, were embraced out of the need to conform to the academic demands being set by the natural sciences, especially for “progressive” knowledge. Faculty could demonstrate their progressiveness by showing the backwardness of the texts; they could “create knowledge” by showing their own superiority to the authors they studied; they could display their anti-traditionalism by attacking the very books that were the basis of their discipline. Philosophies that preached “the hermeneutics of mistrust,” that exulted in exposing the way texts were deeply informed by inegalitarian prejudices, and that even questioned the idea that texts contained a “teaching” at all, offered the humanities the possibility of proving themselves relevant in the terms set by the modern scientific approach. By adopting a jargon only comprehensible to a few “experts,” they could emulate the scientific priesthood — betraying the original mandate of the humanities to guide students through the cultural inheritance and teachings of the classic books. Professors in the humanities showed their worth by destroying the thing they studied."

The New Atlantis » Science and the Decline of the Liberal Arts /via ibidem + dissemination

Slightly reactionary & wholesale, in a journal published by the Ethics and Public Policy Center “[established] to clarify and reinforce the bond between the Judeo-Christian moral tradition and the public debate over domestic and foreign policy issues” (ick), and yet, many valid points in this quote.

March 17, 2010
Literature for Real > Chronicle of HE

“Fine writing, no matter the genre, remains fine writing. However, given the choice between reading a middling novel and a middling work of nonfiction, the latter wins every time, offering at least some compensatory lode of information. I am the kind of reader—and we are legion—who is a sucker for the aura of the real.

Two zesty, ambitious, polemical new books—Ben Yagoda’s Memoir: A History (Riverhead) and David Shields’s Reality Hunger: A Manifesto (Knopf)—signal that nonfiction is pushing for greater scholarly respect. Are we witnessing the beginnings of a palace revolution, as reality genres—literature’s foot soldiers—start clamoring to have their creativity treated with the seriousness it deserves?”

via @hangingnoodles & @Eugenia_Kim

March 2, 2010
"It is hard not to be intimidated by New Left Review. At times, the journal can seem like an elaborate contrivance for making us feel inadequate."

Stefan Collini on New Left Review at 50 via @aldaily

very often, i feel that large swathes of useful intellectual labor come filled to the knee with contrivance…

give me a reason, don’t give me gestures.. or names.

“What other publication would take out a full-page advertisement in a national newspaper announcing its “quinquagenary issue”? NLR has been accused of many things, but never of populist dumbing-down.”

…or just stfu. (see also pikachu & deleuze via @naxos)

(also also, see @bradfidler’s now deleted post on spivak’s emancipatory jargon. it’s good, trust me.)

February 15, 2010
"

1. Let Us Always Revere the Memory of Comrade Valentine and Put into Daily Practice His Wise Teachings Upholding True Proletarian Sex-Love and Revolutionary Romanticism!

2. Militantly Oppose the Bourgeoisie’s Attempted Conversion of Comrade Valentine’s Day into a Festival of Over-Consumption and Capitalist Commodity Relations While Billions Starve!!

3. Resolutely Reject and Repudiate Retrograde Rightist Class-Reductionist Lines Which Deny the Revolutionary Character of the Struggle of LGBTQ People for Full Democratic Rights and Which Minimize the Danger Posed by Their Ultra-Reactionary Enemies!!!

"

Official Slogans for Comrade Valentine’s Day, 2010 via brokensocial + clingtomymouth

Tooth-achingly self-parodic… hence, perfect for the day :)

happy <3 day y’all* - see also, via clingtomymouth.

*[<belated (for you {i’m celebrating mine tonite})> btw brackets rule]