February 12, 2010
The dynamics of effective corrupt leadership: Lessons from Rafik Hariri's political career in Lebanon

Abstract: This article introduces the notion of “effective corrupt leadership” to distinguish those in public office who engage in corrupt practice, who are more effective, and better for their people, than alternatives. The paper examines a case of such leadership by discussing the career of the late Rafik Hariri, the Lebanese Prime Minister who initiated and achieved the rebuilding of Beirut after the Lebanese civil war between 1975 and 1990. Using the historical case-study method, an examination of Hariri’s activities allows us to appreciate the difficulties of achieving tangible welfare benefits in corrupt circumstances. Notably, the moralizing attacks by Hariri’s rivals show that while achieving and sustaining political power may require corrupt practice, such practice can ultimately undermine the leader authority and power. This “blifil paradox” demonstrates how difficult it is to lead effectively in corrupt circumstances. Through a discussion of these difficulties and challenges, the article attempts to demonstrate the significance of “effective corrupt leadership”, both in terms of its impact upon people, and its importance for the refinement of our understanding of leadership.

this article was cited in a conference in the Antoinine University, leading to ‘objections’ [via @azzi] and more.

January 17, 2010
From the Page: “Every evening, sometime between 9 and 11,  the police set up barricades on the major streets in my neighborhood.
These aren’t concrete barricades, but metal fence barriers set in the street in such a way that they make a slalom course for passing cars.
The point, of course, is to slow the cars down, though why this is the goal mystifies me. After all, if a bomb-laden car were driving past the central bank, I would like it to speed on its explosive little way as quickly as possible. Perhaps the barriers are designed to prevent bomb-and-runs?”
I’ve said the same thing countless times… it’s nice to know these things pass through the minds of others.

link via clingtomymouth

From the Page: “Every evening, sometime between 9 and 11, the police set up barricades on the major streets in my neighborhood.

These aren’t concrete barricades, but metal fence barriers set in the street in such a way that they make a slalom course for passing cars.

The point, of course, is to slow the cars down, though why this is the goal mystifies me. After all, if a bomb-laden car were driving past the central bank, I would like it to speed on its explosive little way as quickly as possible. Perhaps the barriers are designed to prevent bomb-and-runs?”

I’ve said the same thing countless times… it’s nice to know these things pass through the minds of others.

link via clingtomymouth

January 14, 2010
@LostLondon redraws the flag re: imminent Cedrus-cide. see also http://tumblr.com/xra1z0i4l

@LostLondon redraws the flag re: imminent Cedrus-cide. see also http://tumblr.com/xra1z0i4l

January 8, 2010

Anonymous asked: What do you think of the music scene in Lebanon?

Sometimes it’s easy to forget just how much talent we have here; just last week I was blown away by Ghazi Abdel Baki at Snatch, and despite what some of my friends think, I enjoy Mashrou’ Leila immensely & see loads of potential in them. I think me have a very good metal scene too, which is often overlooked, but it’s not getting the same exposure as it used to - and that’s probably because the bands haven’t innovated anything new since forever (probably more a statement about the genre than of the bands themselves).

But anyway, to refocus on what I guess is the gist of your question (i.e. to get something a little less vox pop out of me) - my main gripe with most of our musicians is their weak, weak politics. @syrianews already commented once on the unfortunate tendencies in many Lebanese bands (in our humble opinion, of course), but even those that lean towards what I lean towards (I’d say the people of FWD/Prod are like that) stick to vague concepts and what I’d call the ‘politics of authenticity’ (oriental melodies, ouds & tablas, good poetry, etc.), which is great as resistance to the manufactured pop encircling the indie scene but why is it that all the good protest songs are ~40 years old? Ironically, and while some friends of mine in the rap scene wouldn’t agree to this either, I still find the most meaningful lyrics in recent times were written by Rayyess Bek [does he have a website?], and I’m not primarily a hip-hop’er.

December 20, 2009
DEMCO Steel, 19/12/09 - Mashrou’ Leila Album Launch

DEMCO Steel, 19/12/09 - Mashrou’ Leila Album Launch

November 15, 2009
To / Die / For, live at Beirut Rock Festival, 14/11/2009

To / Die / For, live at Beirut Rock Festival, 14/11/2009

November 11, 2009
Some spots in Beirut are just more gangsta than others. #saturdaynight
[and yes, that is a Harry Potter on the very edge. #epicfail or #omgsucceed?]

Some spots in Beirut are just more gangsta than others. #saturdaynight

[and yes, that is a Harry Potter on the very edge. #epicfail or #omgsucceed?]

November 11, 2009
the (flightless) birds. this triggers a distinct memory of texting someone in beirut about watching hitchcock’s birds in nyc after that person had texted about listening to a costello song i was into & thinking of me. isn’t this networked, intertextual, cross-temporal highbrow/lowbrow meshwork of affectivity wonderful? and like, really really privileged?
cute pic :)

via blackandwtf + happyphototeam

the (flightless) birds. this triggers a distinct memory of texting someone in beirut about watching hitchcock’s birds in nyc after that person had texted about listening to a costello song i was into & thinking of me. isn’t this networked, intertextual, cross-temporal highbrow/lowbrow meshwork of affectivity wonderful? and like, really really privileged?

cute pic :)

via blackandwtf + happyphototeam

November 3, 2009
All Hallow’s Eve, Beirut, 2009

All Hallow’s Eve, Beirut, 2009

October 19, 2009
And what could be more representative of Lebanon?
“Airplane (Boeing 377 Stratocruiser) flies over desert scene, which includes various images representative of Lebanon, including Lebanese man playing musical instrument, Lebanese man riding camel, ancient ruin, and palm tree; red, blue, green, brown and yellow ink on paper.”

And what could be more representative of Lebanon?

“Airplane (Boeing 377 Stratocruiser) flies over desert scene, which includes various images representative of Lebanon, including Lebanese man playing musical instrument, Lebanese man riding camel, ancient ruin, and palm tree; red, blue, green, brown and yellow ink on paper.”

October 3, 2009
the king lives in lebanon (via @mikewhills)

the king lives in lebanon (via @mikewhills)

September 6, 2009
Every Country Has Glenn-Beckists

So apparently, “Thousands of southern citizens who fled to Israel at that time are all tagged as collaborators, agents and traitors due to the fact that they did not want to fight their own citizens and because of the serious and actual threats to butcher them that Hezbollah’s leaders voiced publicly.” ###

Oh I get it. They were ‘tagged’ (facebook-savvy ftw!) upon fleeing! Not because of what they were doing before they were fleeing. Oh and they fled because they didn’t want to “fight their own citizens”. Wow. So you admit that the non-SLA inhabitants of the South were fellow citizens of the fleeing SLA (& families)? Wow wow. So did the fleeing pacifist-patriots simply forget that fact while they were doing what they were doing before they fled? You know. While they were running the Al-Khyem prison, for example, on the behalf of Israel? Oh surely you remember… while they were torturing on behalf of Israel?

Or were they not ‘their own citizens’ then?

STFU.

Also, that “voicing publicly” schtick is a lie. In fact, the exact opposite was voiced. Indeed, the very fact that no butchering happened at all is a miracle, given how other collaborators in history were treated. Srsly, STFU.

August 26, 2009
"I am writing about Beirut, a city that has no beginning, no middle and no end. I should be faithful to my subject matter."

— Tarek Chemaly of Beirut/NTSC

August 3, 2009
the king of pop, selling lebanese alco-pop.
beirut/ntsc once again provides the camera for an observation.

the king of pop, selling lebanese alco-pop.

beirut/ntsc once again provides the camera for an observation.

July 30, 2009
via beirut/ntsc: OK, I don’t believe that uppity people who blow 200 USD on a T-shirt are serious  environmental defenders, but then, planting a tree is planting a tree…. Maybe  this is just Aizone trying to jump on the Corporate Social Responsiblity (CSR)  bandwagon….

via beirut/ntsc: OK, I don’t believe that uppity people who blow 200 USD on a T-shirt are serious environmental defenders, but then, planting a tree is planting a tree…. Maybe this is just Aizone trying to jump on the Corporate Social Responsiblity (CSR) bandwagon….