July 19, 2010
Why we listen to sad music when we're sad

“August, 1942. Leningrad, besieged and filled with starving inhabitants, barely holds out against the force of the Nazi invasion. People are queuing up for soup made of boots and book bindings. Hitler has chosen the 9th of the month to celebrate the fall of the city, and a ball has been planned in advance.

But in a symbolic act of defiance, the Russians decide to hold an orchestral concert. To do so, they have to fly in extra musicians, because only 15 members of the Leningrad Radio Orchestra have survived the war. The piece of music they choose for the finale is Dimitri Shostakovich’s Leningrad Symphony.

At the Cheltenham Music Festival’s The Sound of Melancholia last week, classical music composer Stephen Johnson repeated this story, describing Shostakovich’s compositions as “some of the bleakest, darkest, saddest, most vile and sardonic music” he had ever heard

 

He went on to recount the story of Viktor Kuslov, who had played in the 1942 performance, who was moved to tears by the recollection of the music’s powerful effect on that night. Indeed, the final page of the ink-written score that was used at the world premiere is smudged and run with the tears of Yevgeny Mravinsky, the conductor.

It’s counterintuitive, but Johnson’s story suggests that the desolation in Schostakovich’s music, resonating with the desolation in their hearts, served to bolster the spirits of the Russian populace at the time. The premise postulated by Johnson and neuroscientist Raymond Tallis, who co-hosted the event, is the oft-repeated idea that music, by conferring a narrative structure to emotion, brings emotion closer to thought. “There is something about seeing your own mood reflected that allows you to let go of that feeling,” says Johnson.

But it is not so simple. As Tallis, who was standing in for an absent Robert Winston, pointed out at the start of the evening’s conversation, there is a complex interplay between the emotion the composer attempts to write into the music, that conveyed by the music, the listener’s interpretation, and the listener’s mood. This was resoundingly reflected in the results of an experiment carried out on the evening’s audience.” via @openculture

June 20, 2010
mthing:

montycantsin:

mattermedia:

RT @Naxos Toward Freedom written by Félix Guattari and Gilles Deleuze http://is.gd/cVvt8

mthing:

montycantsin:

mattermedia:

RT @Naxos Toward Freedom written by Félix Guattari and Gilles Deleuze http://is.gd/cVvt8

June 12, 2010

May 30, 2010
"We submit to repressive regimes, Deleuze argues, not because we are mistaken but because we desire certain affects. Think, for example, of the sensible intensities of political rallies: the anthems, the rhythm of speeches and marches, and the use of colour. These affective forces are not used to deceive us; here, we are not deluded by propaganda, but our bodies respond positively to these pre-personal ‘investments’. Confronting the productive power of affect therefore allows us to confront what Deleuze refers to as the ‘microperceptions’ that make up who we are – not just the perceptions of the eye that sees and judges, but the disorganised perceptions of the life that pulses through our bodies."

Claire Colebrook /via paispapel + pareidoliac

May 29, 2010
Creative minds 'mimic schizophrenia'

/via @trixl

May 21, 2010
"Let us consider this scene. Whereas, not so long ago, that is until the 1960s, volunteers went off to fight alongside peoples in their liberation struggles, it is now humanitarian workers who go to take care of victims of conflict. Where previously the language evoked in defending oppressed peoples was that of revolution, current usage favors the vocabulary of psychology to sensitize the world to their misfortune. Yesterday we denounced imperialist domination; today we reveal its psychic traces. Not so long ago we glorified the resistance of populations; we henceforth scrutinize the resilience of individuals."

— Fassin, Didier (2008). The Humanitarian Politics of Testimony: Subjectification through Trauma in the Israeli–Palestinian Conflict. Cultural Anthropology, 23(3): 531–558. /via anthropophagous curate bonesarecoralmade guerrillamamamedicine

May 1, 2010
“How Wall Street Creates Socialists” > TruthOut

“No leftist polemicist could come up with as damning a description of contemporary capitalism as the contents of an e-mail that Goldman’s Fabrice “Fabulous Fab” Tourre sent to his girlfriend.

“Well,” he wrote, “what if we created a ‘thing’, which has no purpose, which is absolutely conceptual and highly theoretical and which nobody knows how to price?”

Perhaps Fab once read the Karl Marx who wrote: “The more abstract money is, the less natural its relationship to other commodities.”

If money is an abstraction, the investment industry’s creative inventions are abstractions of abstractions of abstractions. Banks no longer just give people loans to buy houses. Now Wall Street’s geniuses — and they are ingenious — trade bizarre financial products in which the original loan is packaged with thousands of others and buried under piles of equations and economic gibberish.

Goldman may face SEC charges, but it’s the entirety of our deregulated financial system that’s on trial. In this new order, the inventiveness of our entrepreneurs goes not only into creating products that actually enhance our lives (from refrigerators to laptops to iPods) but also into fashioning “absolutely conceptual and highly theoretical” financial products whose main function is to enrich a very small number of well-placed people.

The ever-more-complex financial instruments are defended on the grounds that they make life better for everybody. Tourre offered this justification in another of his revealing e-mails: “Anyway, not feeling too guilty about this, the real purpose of my job is to make capital markets more efficient and ultimately provide the U.S. consumer with more efficient ways to leverage and finance himself, so there is a humble, noble and ethical reason for my job ;)”

Then he added: “amazing how good I am in convincing myself !!!”

/via steveshaviro

April 25, 2010
Neurocriticism and Neurocapitalism > Marginal Utility

“Brain scans seem the expression of a pervasive fantasy to make thought processes transparent and processable as data—to make them texts, but without all that slippery semiology that made the interpretation of texts so notoriously unreliable and problematic to an earlier generation of literary critics. Brain scans are beyond interpretation; scientists can simply translate the glowing areas into their appropriate meanings, and eventually they will be able to devise the appropriate prescriptions for what to stimulate and what to suppress to light up the socially desirable lobes. Maybe we can help people live better lives that way, just as in the past, psychologists had come to the scientific conclusion that lobotomizing people would help them get along. Perhaps more sophisticated brain scanning can better guide the way.”

April 21, 2010
The Mystery of Memory > BigThink

via @kirstinbutler

April 19, 2010
Taken from a PDF of Zizek’s talk at the EURAM 2008. A few pages later:

“The wager of Hardt & Negri is that the new spirit [of capitalism] is already in itself Communist: like Marx, they celebrate the “deterretorializing” revolutionary potential of capitalism; like Marx, they locate the contradiction within capitalism, in the gap between the potential and the form of the capital (the private-property appropriation of the surplus). In short, they rehabilitate the old Marxist notion of the tension between productive forces and the relations of production: capitalism already generates the “germs of the future forms of life,” it incessantly creates the new “common,” so that, in the revolutionary explosion, this New should be liberated from the old social form. No wonder Negri recently more & more praises the “postmodern” digital capitalism, claiming that it already is Communist and that it will need just a little push, a formal gesture, to openly become one. The basic stategy of today’s capital is to cover up its superfluity by way of finding a new way to subsume again the free productive multitude.


The irony is that Negri is referring here to the process which the ideologists of today’s “postmodern” capitalism themselves celebrate as the passage from material to symbolic production, from centralist-hierarchical logic to the logic of autopoietic [network] self-organization, multi-centered cooperation, etc. Negri is here effectively faithful to Marx: what he tries to prove is that Marx was right, that the rise of the “general intellect” is in the long term incompatible with capitalism. The ideologists of postmodern capitalism are making exactly the exactly opposite claim: it is the Marxist theory (and practice) itself which remains the constraints of the hierarchical centralized state-control logic, and thus cannot cope with the social effects of the new informational revolution. There are good empirical reasons for this claim: again, the supreme irony of history is that the disintegration of Communism is the most convincing example of the validity of the traditional Marxist dialectic of force of production and relations of production, on which Marxism counted in its endeavor to overcome capitalism. What effectively ruined Communist regimes was their inability to accommodate to the new social logic sustained by the “informational revolution”: they tried to steer the revolution as yet another large-scale centralized state-planning project. The paradox is thus that what Negri celebrates as the unique chance for overcoming capitalism, the ideologists of “informational revolution” celebrate as the rise of “frictionless” capitalism.”

More on Zizek’s notion of “cultural capitalism” here. Also, more on the “echoes” between cognitivism & ‘postmodern’ capitalism here.
And more on the new capitalist spirits, for the archive:


Media and New Capitalism in the Digital Age: The Spirit of Networks via @JohnPostill


Small is beautiful in the new capitalism via @pareidoliac

Taken from a PDF of Zizek’s talk at the EURAM 2008. A few pages later:

“The wager of Hardt & Negri is that the new spirit [of capitalism] is already in itself Communist: like Marx, they celebrate the “deterretorializing” revolutionary potential of capitalism; like Marx, they locate the contradiction within capitalism, in the gap between the potential and the form of the capital (the private-property appropriation of the surplus). In short, they rehabilitate the old Marxist notion of the tension between productive forces and the relations of production: capitalism already generates the “germs of the future forms of life,” it incessantly creates the new “common,” so that, in the revolutionary explosion, this New should be liberated from the old social form. No wonder Negri recently more & more praises the “postmodern” digital capitalism, claiming that it already is Communist and that it will need just a little push, a formal gesture, to openly become one. The basic stategy of today’s capital is to cover up its superfluity by way of finding a new way to subsume again the free productive multitude.

The irony is that Negri is referring here to the process which the ideologists of today’s “postmodern” capitalism themselves celebrate as the passage from material to symbolic production, from centralist-hierarchical logic to the logic of autopoietic [network] self-organization, multi-centered cooperation, etc. Negri is here effectively faithful to Marx: what he tries to prove is that Marx was right, that the rise of the “general intellect” is in the long term incompatible with capitalism. The ideologists of postmodern capitalism are making exactly the exactly opposite claim: it is the Marxist theory (and practice) itself which remains the constraints of the hierarchical centralized state-control logic, and thus cannot cope with the social effects of the new informational revolution. There are good empirical reasons for this claim: again, the supreme irony of history is that the disintegration of Communism is the most convincing example of the validity of the traditional Marxist dialectic of force of production and relations of production, on which Marxism counted in its endeavor to overcome capitalism. What effectively ruined Communist regimes was their inability to accommodate to the new social logic sustained by the “informational revolution”: they tried to steer the revolution as yet another large-scale centralized state-planning project. The paradox is thus that what Negri celebrates as the unique chance for overcoming capitalism, the ideologists of “informational revolution” celebrate as the rise of “frictionless” capitalism.”

More on Zizek’s notion of “cultural capitalism” here. Also, more on the “echoes” between cognitivism & ‘postmodern’ capitalism here.

And more on the new capitalist spirits, for the archive:

April 10, 2010
The Interpassive Subject by Slavoj Zizek

”[…] If we radicalize in this way the relationship of substitution (i.e. the first aspect of the notion of fetishism), then the connection between the two aspects, the opposition “persons versus things,” their relation of substitution (“things instead of people,” or one person instead of another, or a signifier instead of the signified…), and the opposition “structure versus one of its elements,” becomes clear: the differential/formal structure occluded by the element-fetish, can only emerge if the gesture of substitution has already occurred. In other words, the structure is always, by definition, a signifying structure, a structure of signifiers which are substituted for the signified content, not a structure of the signified. For the differential/formal structure to emerge, the real has to redouble itself in the symbolic register; a reduplicatio has to occur, on account of which things no longer count as what they directly “are,” but only with regard to their symbolic place. This primordial substitution of the big Other, the Symbolic Order, for the Real of the immediate life-substance (in Lacanian terms: of A — le grand Autre — for J — jouissance), gives rise to $, to the “barred subject” who is then “represented” by the signifiers, i.e. on whose behalf signifiers “act,” who acts through signifiers…

Interpassivity

Against this background, one is tempted to supplement the fashionable notion of “interactivity,” with its shadowy and much more uncanny supplement/double, the notion of “interpassivity.” That is to say, it is commonplace to emphasize how, with new electronic media, the passive consumption of a text or a work of art is over: I no longer merely stare at the screen, I increasingly interact with it, entering into a dialogic relationship with it (from choosing the programs, through participating in debates in a Virtual Community, to directly determining the outcome of the plot in so-called “interactive narratives”). Those who praise the democratic potential of new media, generally focus on precisely these features: on how cyberspace opens up the possibility for the large majority of people to break out of the role of the passive observer following the spectacle staged by others, and to participate actively not only in the spectacle, but more and more in establishing the very rules of the spectacle… Is, however, the other side of this interactivity not interpassivity? Is the necessary obverse of my interacting with the object instead of just passively following the show, not the situation in which the object itself takes from me, deprives me of, my own passive reaction of satisfaction (or mourning or laughter), so that is is the object itself which “enjoys the show” instead of me, relieving me of the superego duty to enjoy myself… Do we not witness “interpassivity” in a great number of today’s publicity spots or posters which, as it were, passively enjoy the product instead of us ? (Coke cans containing the inscription “Ooh!Ooh! What taste!”, emulate in advance the ideal customer’s reaction.) Another strange phenomenon brings us closer to the heart of the matter: almost every VCR aficionado who compulsively records hundreds of movies (myself among them), is well aware that the immediate effect of owning a VCR, is that one effectively watches less films than in the good old days of a simple TV set without a VCR; one never has time for TV, so, instead of losing a precious evening, one simply tapes the film and stores it for a future viewing (for which, of course, there is almost never time…). So, although I do not actually watch films, the very awareness that the films I love are stored in my video library gives me a profound satisfaction and, occasionally, enables me to simply relax and indulge in the exquisite art of far’niente — as if the VCR is in a way watching them for me, in my place… VCR stands here for the “big Other,” for the medium of symbolic registration.

Is the Western liberal academic’s obsession with the suffering in Bosnia not the outstanding recent example of interpassive suffering? One can authentically suffer through reports on rapes and mass killings in Bosnia, while calmly pursuing one’s academic career… Another standard example of interpassivity is provided by the role of the “madman” within a pathologically distorted intersubjective link (say, a family whose repressed traumas explode in the mental breakdown of one of its members): when a group produces a madman, do they not shift upon him the necessity to passively endure the suffering which belongs to all of them? Furthermore, is the ultimate example of interpassivity not the “absolute example” (Hegel) itself, that of Christ who took upon himself the (deserved) suffering of humanity? Christ redeemed us all not by acting for us, but by assuming the burden of the ultimate passive experience. (The difference between activity and passivity, of course, is often blurred: weeping as an act of public mourning is not simply passive, it is passivity transformed into an active ritualized symbolic practice.) In the political domain, one of the recent outstanding examples of “interpassivity,” is the multiculturalist Leftist intellectual’s “apprehension” about how even the Muslims, the great victims of the Yugoslav war, are now renouncing the multi-ethnic pluralist vision of Bosnia and conceding to the fact that, if Serbs and Croats want their clearly defined ethnic units, they too want an ethnic space of their own. This Leftist’s “regret” is multiculturalist racism at its worst: as if Bosnians were not literally pushed into creating their own ethnic enclave by the way that the “liberal” West has threated them in the last five years. However, what interests us here is how the “multi-ethnic Bosnia” is only the latest in the series of mythical figures of the Other through which Western Leftist intellectuals have acted out their ideological fantasies: this intellectual is “multi-ethnic” through Bosnians, breaks out of the Cartesian paradigm by admiring Native American wisdom, etc., the same way as in past decades, when they were revolutionaries by admiring Cuba, or “democratic socialists” by endorsing the myth of Yugoslav “self-management” socialist as “something special,” a genuine democratic breakthrough… In all of these cases, they have continued to lead their undisturbed upper-middle-class academic existence, while doing their progressive duty through the Other. — This paradox of interpassivity, of believing or enjoying through the other, also opens up a new approach to aggressivity: what sets aggressivity in motion in a subject, is when the other subject, through which the first subject believed or enjoyed, does something which disturbs the functioning of this transference. See, for example, the attitude of some Western Leftist academics towards the disintegration of Yugoslavia: since the fact that the people of ex-Yugoslavia rejected (“betrayed”) Socialism disturbed the belief of these academics, i.e. prevented them from persisting in their belief in “authentic” self-management Socialism through the Other which realizes it, everyone who does not share their Yugo-nostalgic attitude was dismissed as a proto-Fascist nationalist.”

January 15, 2010
DELEUZE AND THE QUESTION OF DESIRE: TOWARD AN IMMANENT THEORY OF ETHICS

“The title of this paper raises two questions, each of which I would like to address in turn. The first question is: What exactly is an immanent ethics (as opposed to an ethics that appeal to transcendence)? The second question is: What is the philosophical question of desire? My ultimate question concerns the link between these two issues: What relation does an immanent ethics have to the question of desire? Historically, the first question is primarily linked with the names of Spinoza and Nietzsche (as well as, as we shall see, Leibniz), since it was Spinoza and Nietzsche who posed the question of an immanent ethics in its most rigorous form. The second question is linked to names like Freud and Lacan, and behind them, to Kant, since it was they who formulated the modern conceptualization of desire in its most acute form—that is, in terms of unconscious desire, desire as unconscious. It was in Anti-Oedipus, published in 1972, that Deleuze (along with Félix Guattari, his co-author) would attempt to formulate his own theory of desire—what he would call a purely immanent theory of desire. In his preface to Anti-Oedipus, Michel Foucault would claim, famously, that “Anti-Oedipus is a book of ethics, the first book of ethics to be written in France in quite a long time”—thereby making explicit the link between the theory of desire developed in Anti-Oedipus with the immanent theory of ethics Deleuze worked out in his monographs on Nietzsche and Spinoza”

via @troyrhoades & @hyblis

January 4, 2010
"A self does not amount to much, but no self is an island […] [E]ven before he is born, if only by virtue of the name he is given, the human child is already positioned as the referent of a story recounted by those around him, in relation to which he will inevitably chart his course."

Jean-François Lyotard: The Postmodern Condition: A Report on Knowledge (translated by Geoff Bennington and Brian Massumi)

via fuckyeahphilosophy + guerrillamamamedicine

December 21, 2009
Hardware Psychoanalizing

via wildcat2030 + webdesigncore

Hardware Psychoanalizing

via wildcat2030 + webdesigncore

December 20, 2009
"Most human beings have an almost infinite capacity for taking things for granted."

Aldous Huxley

via nihilnoetia & wildcat2030